Showing posts with label Drummers. Show all posts
Showing posts with label Drummers. Show all posts

Wednesday, October 10, 2012

Drummer: Ringo Starr


Richard Starkey was born on July 7, 1940 in Liverpool, England. The oldest Beatle (three months older than John) was born in a two-story house in the Dingle area to Richard and Elsie Starkey. His father was a Liverpool dock worker, and his mother worked in a bakery. Ringo's parents met in this bakery, and later married. When little Richie was three years old, his parents broke up. Ringo's mother later married Harry Graves, who Ringo called his "step ladder".

Richard was a happy child despite the various hospital visits that filled much of his life. He entered the hospital for the first time at six years of age for a bout of appendicitis. Ringo became quite bored and even a bit lonely when he was in the hospital, so his parents brought him two toys to keep him entertained. One was a red bus, the other was a small drum...Ringo's first drum! Ringo kept himself well occupied with the drum, but upon noticing the lonely boy in the bed next to him, Ringo decided to give up the pretty red bus. As little Richie leaned out of the bed to give his bus to the other boy, he fell...hitting his head and knocking himself into a coma.

Richard remained in the hospital for around another year, putting him behind in his education. When Ringo finally got out of the hospital, he was seriously behind in his schoolwork. He couldn't read very well, and was put in a class with kids much younger than he was. Ringo became quite unhappy with his schooling situation. At 13, Ringo caught a cold which turned into pleurisy, putting Ringo back into the hospital and further behind in his schoolwork. Ringo also started smoking around this time, probably for something to do. By fifteen he could just barely read and write.

Like the other three Beatles, Ringo became interested with the Liverpool music known as skiffle. Ringo started his own group called the Eddie Clayton Skiffle Group in 1957. In 1959, Ringo moved on to The Raving Texans, a quartet led by Rory Storm. Ringo became quite a good drummer with the added performance practice, even taking advantage of solos called "Starr Time". Ringo got his nickname here because of the numerous rings he wore on his pinky and ring fingers. The name Starr was chosen by dropping the "key" from his last name. This gave him the catchy title we know him by today--Ringo Starr.

Rory Storm changed his band name to "The Hurricanes", and they became a big success in Liverpool and Germany. It was in Hamburg in October of 1960 when Ringo first met his fellow Beatles. At the time, Rory Storm's band was much more popular than the "Beetles with an A". Nevertheless, the interest in Ringo Starr led to his joining the band in 1962. Rory Storm was quite unhappy to lose such a great drummer, and Pete Best, the Beatles original drummer, was less than happy to be replaced. Many Pete Best fans rejected Ringo, holding vigils outside Pete's hous and rioting at the Cavern Club. The shout of "Pete Best forever! Ringo, never" were prevalent. Still, there was a wonderful connection between Ringo's drumming style and the music of the Beatles. Ringo's fun-loving attitude was appealing, giving the rest of the Beatles a head-start on their special humour.

Ringo's health would continue to cause problems again later. In 1964 Ringo missed three quarters of the tour of Scandanavia, Holland, the Far East, and Australia, to have his tonsils out. Once this was resolved, the Beatles were underway. Ringo contributed many interesting quotes to the Beatles repertoire, some of which became song titles. "Eight Day's A Week" was written after one of Ringo's expressions. The Beatles' first movie, originally called Beatlemania, was instead called A Hard Day's Night after something Ringo said one evening after a particularly grueling session.

Because he seemed content to sit at the back, Ringo was sometimes considered to be the least important Beatle. He was not one of the main writers, nor was he a strong vocalist. Ringo was only given one song per album, but in my opinion Ringo used this valuable space well. Ringo became an integral part of The Beatles. Not only did his inventive drumming help provide The Beatles distinctive sound, but he fulfilled other very real needs. Ringo was the most down-to-earth member of the Fab Four. Ringo was the friendly Beatle. He recieved more fan mail than any of the others, and he became the mediator in many of the later arguments of the band.

The Beatles benefited from his sensitivity, his sense of humor, and his "peace and love" way of dealing with the world. His modesty and kind heart was as important to the Beatles as John and Paul's musical talents. Ringo always seemed a bit overwhelmed by the success of the Beatles -- as if he were pleasantly surprised by what was happening to him. Ringo really looked upon John, Paul, and George as his three brothers and continues to love them as such today. He gave of himself to them the best that he could with love and without ego. Ringo had his most important dreams come true with the Beatles. The only dream Ringo never fulfilled was to sit in the audience at a Beatles concert.

Ringo has been married twice. First to his long-time girlfriend Maureen Cox. Ringo met Maureen in the Cavern club when he was still with Rory Storm and the Hurricanes. Ringo and Maureen were married at Caxton Hall in Westminster on February 11, 1965. They had three children, Zak on September 13, 1965, Jason on August 19, 1967, and Lee on November 17, 1970. Ringo and Maureen were divorced in 1975, and sadly Maureen died Decmber 30, 1994 of Leukemia despite a bone marrow transplant from her son Zak. Ringo married Barbara Bach, whom he met on the set of Caveman in 1983. They are still happily married today.

Ringo not only had a successful musical career with the Beatles, but also on his solo efforts and with his All-Starr Band. Ringo has had many great solo hits such as "Photograph", "Back Off Boogaloo", "You're Sixteen", and "It Don't Come Easy". Ringo has worked with many famous and wonderful artists such as Elton John, Harry Nilsson, Peter Frampton, Steven Tyler, Tom Petty, and even Ozzy Osbourne.



Tuesday, October 9, 2012

Josh Freese quits A Perfect Circle



Drummer Josh Freese has confirmed that he has parted ways with A Perfect Circle. So far there is no word on the reason for the split.

Josh announced his departure via twitter earlier this week:
"After 13 years, I've decided to leave @aperfectcircle with no plans of returning. Apologies to those inquiring about the upcoming shows."

At the moment of writing A Perfect Circle has one US date left this year; on December 29 at Planet Hollywood in Las Vegas.

The band is also scheduled to appear on Australia's Soundwave Festival, which kicks off February 23, 2013 in Brisbane.


Wednesday, July 25, 2012

Rae Amitay is Mares of Thrace's new drummer



Calgar's heavy duo Mares of Thrace, fronted by baritone guitarist/vocalist Thérèse Lanz, has announced a new drummer.

Due to getting into the educational program of her dreams and its subsequent conflicts with touring, original drummer Stefani MacKichan has decided to step down.

Mares of Thrace's new drummer is Rae Amitay, a former student of Berklee School of Music. She spends her time playing drums for various projects, singing, and writing about metal. Says Rae:

"I am ridiculously happy to announce that I'm the new drummer for Mares of Thrace. Thank you, Thérèse Lanz for buying me my first deck of Magic cards and welcoming me into the band. Stefani MacKichan, you're an amazing drummer and overall badass. Best of luck with absolutely everything."

Watch a video of Rae playing a metal drumming medley:

Sunday, May 27, 2012

Drummer: Jojo Mayer



Born January 18. 1963 in Zurich, Switzerland. Son of a musician (bass player Vali Mayer), he spent his early childhood on the road traveling throughout Europe and the Far East. At the age of 2 he got his first drum set, and his first public performance took place in Hong Kong when he was only 3 years old. Growing up in the influence of a musical environment Jojo is basically self-taught (autodidact).

At the age of 18 he joined Monty Alexander's group and toured extensively all over Europe, playing all the major jazz -festivals including the North-Sea-Jazz Festival, Montreux, Nice, Antibes, Athens etc.This lead to back-up gigs with other jazz-greats such as Dizzy Gillespie and Nina Simone and introduced him to an international audience.

Jojo Mayer performed and / or recorded with a great variety of artists covering a wide range of musical styles such as The Screaming Headless Torsos, Meshell n'dege Occello, Vernon Reid's science project, DJ Spooky, Emergency Broadcast Network, the Vienna Art Orchestra, Wolfgang Muthspiel, Harry Pepl, Gerald Veasley, Monty Alexander, Lunar Crush, John Zorn, James Blood Ulmer, Chico Freeman, George Adams, Jamaaladeen
Tacuma, John Medeski, Family of Percussion, Hiram Bullock, Leni Stern, Depart, Wolfgang Puschnigg, The intergalactic Maiden Ballet, Friedrich Gulda, Harry Sokal, Steve Coleman's 5 Elements, Passport, Wah Wah Watson, and many more.

Jojo has also built himself a reputation as a skilled and creative solo performer/ clinician. He appeared at most of the important Industrial Events and Drum Festivals like the Modern Drummer Festival (1998 and 2005), the Buddy Rich Memorial Scholarship NYC (95), the International Drummer-Meeting in Koblenz (89, 91, 95), PASIC (96), the Montreal Drum- Fest (96), the NAMM-Show`s"Drums along the Hilton"(96), int.Slagwerkkrant Dag (96), int. Budapest Dob-Gala (94, 95), Manny`s Drum-Mania NYC (98) and the "int.Musik Messe Frankfurt"(93, 97), to name a view, were he was featured amongst the greatest names in the drumming community today (Vinnie Colaiuta, Dave Weckl, Jack de Johnette, Terry Bozzio, Billy Cobham, Dennis Chambers etc).

Residing in New York City since 1991, Jojo engaged in numerous activities including Live and Studio work. His international touring schedule has taken him all over Europe, the US, South America, The Far East and Africa. Besides his work as a drummer, he also is involved in projects as a writer and producer.

More recently, Jojo has been venturing into New York's Techno / Multimedia / Avantgarde / club scene by promoting his own weekly party event called PROHIBITED BEATZ. This new platform for live "Drum n" Bass", "Nu-Skool Breaks", "Speed Garage" and the latest stylistical hybrids and mutations in DJ culture, has also provided the back drop for his first solo project called NERVE. Described as an "endeavor in reverse engineering the textures and rhythms of the current stream of computer generated music into a live performed, improvisational format", NERVE and PROHIBITED BEATZ have created a reputation in the New York scene that already goes way beyond "a serious buzz".

Recent performances and recordings have earned him rave reviews: Jojo Mayer "...destined for "Drum God" status !"(Modern Drummer magazine).

Jojo Mayer's company endorsements include: Sonor drums, Sabian cymbals, Remo drumheads and Vic Firth drumsticks. Lately he has been involved as a product developer / designer for Sabian (Jojo Mayer Signature "Fierce Ride" & "Fierce Crash" Models), a consultant for Sonor's "Jungle Kit" and as a designer for Vic Firth drumsticks (Jojo Mayer Signature Model). He has also frequently appeared in advertisements, catalogues and publications for the above mentioned companies.




Sunday, February 12, 2012

Drummer: John Bonham


John Bonham is the most influential Rock Drummer of all-time.

Describing the style of John Bonham's drumming instantly conjurs up visions of the thunderous power he created. His contributions to rock music were revolutionary, and his talent unmatched and irreplaceable. You can only imagine Jimmy Page's reaction to first seeing him in 1968, ending his search for a new drummer to form a new band, the New Yardbirds (later renamed Led Zeppelin.)

A childhood friend of Robert Plant, they played together in the 'Band of Joy', resulting in local gigs and a few studio demos. At first, Bonham was reluctant to join the well-known guitarist because of a steady gig with Tim Rose. But... the rest of history...



As John Paul Jones, Jimmy Page and Robert Plant have all stated many times, Led Zeppelin wouldn't have been half as good without him. Along with JPJ, they provided the solid foundation and backbone of the band, which made it all possible. Live performances truly showcased his abilities during the numerous improvised jams throughout every concert and of course his famous "Moby Dick" drum solo; reaching a half-hour in length at times! Immitators are usually left frustrated, since Bonham made it look so easy - not only in his playing but also in the incredible drum sound he acheived. His legendary right foot (on his bass pedal) and lightning-fast triplets were his instant trademark. He later refined his style from the hard skin-bashing approach to a more delicate wrist controlled one - which produced an even more powerful & louder sound with less effort.

His tragic passing on September 25th, 1980 immortalized his legacy forever. His only son, Jason proudly continues the tradition. Daughter Zoe also has a strong interest in music and is experimenting with her own original material. John's sister Deborah is a highly acclaimed & talented singer.





Friday, February 10, 2012

Modern Drummer Interview with Jason Bonham



The rumors started spreading months before the official press release went out: “Led Zeppelin is getting back together and they’re going on tour.” MD, like everyone else, was getting excited at the possibility. Was it true? We made calls and sent emails back and forth. And we tried to speak with Jason Bonham–son of famed Zep drummer John Bonham and likely heir to his throne–to find out the scoop. But frankly, it wasn’t so easy, since every writer and magazine in the world was thinking the same thing.

After a few attempts, we finally hooked up with Jason. The plan to have him on the cover of MD asap to announce the reunion went into action. Unfortunately, jazz icon Max Roach passed away, and that plan had to change so MD could honor the legend in a timely, respectful way.

But details have a way of working themselves out, and here we are, getting the inside skinny on the most anticipated rock reunion–certainly of this young century, and perhaps of the past twenty years.

On December 10, all three surviving members of Led Zeppelin–Robert Plant, Jimmy Page, and John Paul Jones–were joined by Jason Bonham, a respected journeyman drummer in his own right, to play a tribute concert for Atlantic Records founder Ahmet Ertegun. As an indicator of just how huge an event this was, 90,000,000 people (!) tried to get tickets for a show at a concert hall that only holds 17,000.

Jason Bonham was born on July 15, 1966, to parents Pat Phillips and John Henry Bonham. Most rock fans are familiar with the story of Jason’s father and the gargantuan impact he made on music and on drumming. But many are unfamiliar with Jason’s journey to rock stardom, from his early fascination with drums and dirtbikes, to his not-always-easy career in the music business.

By following his passion for the drums, Jason would forever be burdened with living up to his dad’s legacy as “the greatest rock drummer ever.” Of course, having a famous drummer for a father has had certain advantages. But the Bonham name also brought on more pressure than any other drummer would ever have to live up to.

Jason’s career certainly had its ups and downs, but the passion he had for being the best drummer he could be would always burn in his heart. At seventeen he formed his first band, Air Race, and later joined Virginia Wolf (whose record was produced by Queen drummer Roger Taylor). In 1988, he joined Jimmy Page for his Outrider record and tour, and that same year he played for the first time as an “official” member of Led Zeppelin when the band reunited for Atlantic Records’ Fortieth Anniversary concert at Madison Square Garden.

Jason’s first solo album, The Disregard Of Timekeeping, was released in 1989 to critical acclaim. After his second solo album, Mad Hatter, Bonham concentrated on session work, including supporting Bad Co. singer Paul Rodgers on the Grammy-winning Muddy Water Blues: A Tribute To Muddy Waters. In 1994, Jason appeared at Woodstock II with Slash and Paul Rodgers. In 1995, the drummer represented his father when Led Zeppelin was inducted into the Rock & Roll Hall Of Fame, where he sat in for an unrehearsed reunion that featured Aerosmith’s Joe Perry and Steven Tyler.

Soon after that, Jason put together another solo project, this time focusing on the songs of Led Zeppelin, titled In The Name Of My Father, with proceeds from the album going to charity. From 1999 to 2003, Jason drummed for Healing Sixes. In 2000, he appeared in the film Rock Star. And in 2006, Jason breifly became a TV star on VH1’s reality showSupergroup.


Following an album and tour with his aunt Debbie, the younger sister of his dad, Jason joined the classic hard rock group UFO. Also in 2006, he recorded with guitar slinger Joe Bonamassa. And for the past few years, he’s been touring constantly with Foreigner. Without question, Jason has had an impressive career.
So how is Jason preparing to play with Zeppelin–and how will that first show go? The following interview took place–by coincidence–on a very special day in late September.

MD: As you know, today is the twenty-seventh anniversary of your father’s passing.
Jason: Yeah, I know. I didn’t actually think about it until this morning, when I got up and said to my kids as they were squabbling on their way out of the door for school, “You know what day today is?” And they said, “Of course, it’s Tuesday.” [laughs] It’s good we can talk about it all today. And with all the things that have been going on, it’s pretty special.

MD: Speaking of which, when did you start rehearsals for the Zeppelin show?
Jason: We started back in June. Basically we got together to see if we were going to do something, to see how it would play out and how it would sound–and whether we would all get along. Our first get-together lasted three days, which was mainly two days of playing and one day of planning. And then I heard nothing from them for about a month and a half.

MD: And I’m sure that left you thinking: Did they like it or not?
Jason: Exactly! I’m like, were they kidding me in the room at the time when they were saying it was great? I thought, whatever it is, it’s something they have to talk together about and be comfortable with. That’s the main thing. This is not being done for money. It’s purely because they wanted to play together again.

MD: So how was it playing with them?
Jason: It was a very emotional and amazing experience. I walked in a boy, but they made me feel like a man when I walked out. I felt all grown up. I felt taller…it felt like I could speak on the same terms and I didn’t feel like that young sweet boy anymore.

MD: So you felt you held your own.
Jason: Yes, and they were all very encouraging. You have to remember, for the past fifteen, twenty years, people have always asked, “When are you guys going to get back together?” So to finally have it happen, it was a bit overwhelming at first, because I had kind of put it to rest in my mind. “This is not going to happen, move on.” Of course, as soon as I moved on, it came back to bite me. That was actually a good thing, because once I stopped expecting that seat to be mine, instead of being cocky, I actually started to doubt myself, which all led to me being a different human being and a lot more honest with myself. It made me go back and really listen, instead of assuming that I knew it all and that I’m the rightful heir to that drum seat. Nonsense! You get the gig if you can play it. I had a foot in the door, but there’s also more pressure on me than there might be on another drummer.

Pick up the February 2008 issue of Modern Drummer to read the full interview with Jason Bonham.

Tuesday, November 1, 2011

Drummer: Dave Weckl



Dave Weckl (born January 8, 1960) is a highly acclaimed jazz fusion drummer. Weckl attended Francis Howell High School in St. Charles, MO and graduated in 1978. He majored in jazz studies at the University of Bridgeport in Connecticut. Starting out on the New York fusion scene in the early 1980s, Weckl soon found himself working with artists such as Paul Simon, Madonna, George Benson, Michel Camilo, Robert Plant and Anthony Jackson. His most famous early work though, where his popularity blossomed, was with the Chick Corea Elektric Band from 1985 to 1991.
Weckl spent a total of seven years with Corea, during which he performed on numerous albums and also appeared with Corea's Akoustic Band. He augmented his work with Corea by continuing his session work and appearing often with the GRP All-Star Big Band. In addition, he recorded four albums in 1988 and 1989 with the Manhattan Jazz Quintet. Weckl has also released a series of instructional videotapes, and in 1990, he led his first solo date, Master Plan, for GRP. Heads Up followed in 1992, as well as Hard-Wired in 1994.
After leaving Corea's band, Weckl recorded and toured with guitarist Mike Stern.Under his own name, he has been the leader of ten recordings since 1990, seven of which as the Dave Weckl Band. Dave endorses Yamaha Drums, Sabian Cymbals and Vic Firth Drumsticks, all of whom he has assisted with the design of new products, such as Sabian's HHX Evolution and HHX Legacy cymbal lines.
Around 1996, his style and setup radically changed, in large part because of his studies with Freddie Gruber.